Dungeons & Dragons
starring: Jeremy Irons, Thora Birch, Justin Whalen & Marlon Wayans
by Chris
Jan 23, 2001
Will you like Dungeons & Dragons? Take this home
test:
Buy a six-pack of expensive, tasty imported beer.
Open each bottle, dump out
the expensive, tasty contents, crush each bottle
(not too finely!), and
proceed to eat the glass. If you enjoy the
feeling of jagged shards ripping
your digestive and excretory tracts to shreds,
you may enjoy this movie.
Then again, you still may not.
Dungeons & Dragons is a movie based on an
immensely popular role-playing
game, also called Dungeons & Dragons (convenient,
no?). In the game, a party
of adventurers generally go on some sort of
quest, filled with peril, but
with the promise of great reward. The game is
most often played in a fantasy
world, populated by a variety of races (humans,
elves, dwarves, etc.) who
hold a variety of occupations (fighters, thieves,
wizards, clerics, etc.).
I spent my high school and early college years
living on Dungeons & Dragons,
so I guess I could take a role-players viewpoint
on this review. However,
one doesn't need to be a role-player to want to
tear one's eyes out halfway
through this film.
Here's the gist:
The empire of Izmer is governed by an elite class
of wizards known as mages.
The common folk of the empire aren't too fond of
these stuck-up,
magic-using, beard-sporting (for the most part),
robe-wearing intellects.
The new young empress Savina (Thora Birch, who
also played Kevin Spacey's
daughter in the Oscar-winning film American
Beauty) wants to set mages and
commoners as equals, while the powerful mage
Profion (Jeremy Irons) will
stop at nothing to see that doesn't happen.
Profion tries to convince the
council of mages to force the empress to
relinquish her crown and scepter
(which also happens to control Gold Dragons).
All the while, an elder mage has been trying,
with the help of his
apprentice, Marina (Zoe McKlellan), to decipher a
scroll that points the way
to a scepter of Red Dragon control. Unbeknownst
to them, they are being
spied on by an imp controlled by Profion.
On the other side of town, two thieves, Ridley
(Justin Whalin, who played
Jimmy Olson on TV's Lois and Clark: The New
Adventures of Superman) and
Snails (Marlon Wayans, the really, really, REALLY
annoying Wayans brother)
decide they need to break into the mages' school
and steal some goodies.
Marina discovers them, captures them with a
spell, and brings them to her
master, only to be attacked by the captain of the
Crimson Guard (and
Profion's lackey), Damodar (Bruce Payne), who has
been sent to retrieve the
scroll leading to the scepter of Red Dragon
control. The three escape, and
thus begins their great adventure to save the
kingdom.
Of course, when I say "their great adventure to
save the kingdom," I really
mean an hour-and-a-half of pitifully inept actors
(or good actors acting
pitifully inept) delivering pitifully inept
dialogue under pitifully inept
direction.
So, where do I begin to criticize this film? I'll
start with the direction.
This was Courtney Solomon's first time in the
director's chair, and boy,
could you tell. He seemed to have three main
directing thrusts:
- Talk slower. (As in, "You don't sound evil
enough. Talk slower.")
- Use a deeper, more gravelly voice. (As in,
"You don't sound evil enough.
Use a deeper, more gravelly voice.")
- Act more like Chris Tucker. (As in, "Marlon,
you aren't nearly annoying
enough just being yourself. Act more like Chris
Tucker.")
Solomon also appears to love computer-generated
imagery. Many of the
exterior shots of the mages' school seem to be
thrown in just so he could
play with his new copy of RenderMan.
The acting is another problem. Does Jeremy Irons
have an incredibly
melodramatic doppelganger? Or was that really him
chewing through dialogue
onscreen like Dom DeLouise enjoying a turkey
dinner? Irons apparently thinks
playing a bad guy entails waving one's arms and
clenching one's fists in a
menacing way. Oh yeah, and using a deeper, more
gravelly voice (remember
Courtney's Directing Thrust No. 2).
I seem to recall I liked Thora Birch in American
Beauty. So what happened
here? I can only conclude that, like Jeremy
Irons, she was subverted by
Master Director Courtney Solomon -- there can be
no other reason for her
wooden and ghastly performance.
Bruce Payne is another student of Courtney
Solomon, only he focuses more on
Thrust No. 1, Talk Slower. Every time he opened
his mouth I was afraid he
would fall asleep between words (I know I came
close to passing out a few
times). And Marlon Wayans is, unfortunately,
Marlon Wayans, with just enough
Chris Tucker thrown in to make him even less
likable than normal. There's
only so many times you can see Wayans scream like
an adolescent girl before
your mouth is burning from vomiting into it.
The rest of the acting was neither here nor there
-- no one stood out as
incredibly bad, but no one stood out as good,
either.
Let's move on to the dialogue. I don't know that
I've ever heard such a
continuous pile of drivel flow from the mouths of
actors. I'd site specific
examples, but I couldn't bring myself to pay
attention long enough to the
dialogue to actually remember any specific
examples on this, the morning
after viewing the film. It will suffice to say
that elves are wise (we get
this pounded into our brains), dwarves are not
(also pounded into our
brains), and it's okay to scream like a girl when
you're breaking into a
mages' school -- no one will hear.
The story writing flat-out sucked. It was full of
inconsistencies -- Marina
casts spells like no one's business in the
beginning of the film, but then
plays the hapless female victim for the remainder
of the movie. The head of
the Thieves Guild has a maze, whose prize is a
huge ruby egg, but hasn't
actually been able to figure the maze out himself
(despite the fact that it
only has three puzzles, each less complicated
than the one before). How did
he rise to become head of the Thieves Guild?
Stealing women's hearts?
Pilfering candy from babies? I could continue,
but I can feel the bile
rising in my throat as I type.
Please, run as far away from this movie as you
are able. Or, better yet,
become a mage, gain experience, and as soon as
you are high enough level,
fireball Courtney Solomon, so we never again need
bear witness to a poorly
executed Dungeons & Dragons movie. The
movie-going world will thank you for
it.
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